Ebook Free Movement for Actors (Second Edition)
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Movement for Actors (Second Edition)
Ebook Free Movement for Actors (Second Edition)
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Review
"The most complete survey to date of the available physical components of modern actor training. Invaluable." —George Morrison, former president, the New Actor Works, former emeritus professor, SUNY Purchase“This wonderful, eclectic book offers both theoretical and practical insights to actors, directors, and students, while providing fascinating insights to anyone who seeks a greater understanding of the process of creating theater. We often speak of the need to move beyond the seminal work of Stanislavski. For those who wish to do so, Ms. Potter has furnished us with an excellent roadmap.” —Barbara MacKenzie-Wood, head of acting/music theater, Carnegie Mellon University“A marvelous, instructive, and coherent sourcebook. It brings back memories of my own experiences, working with Mme. Fedro and her stick and learning the lessons of the Alexander Technique, during those exhilarating days of rigorous physical training for a lifelong career.” —Lisa Eichborn, internationally renowned actress and two-time Golden Globe and BAFTA nominee“A timely collection of essays, which synthesizes a broad range of movement techniques that have deeply influenced performance training. The authors’ passions are palpable, their information clearly articulated, and their expertise firmly grounded as their insights add to the growing interdisciplinary study of the body.” —Robert H. Vorlicky, Tisch School of the Arts, New York University
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About the Author
Nicole Potter, who passed away in 2013, served as a senior editor at Allworth Press and as an adjunct professor in the theater department of Marymount Manhattan College. She edited numerous theater, film, and art publications and wrote for film magazines, and her performance background included appearances in film and television.Mary Fleischer is a professor of theatre arts at Marymount Manhattan College. She holds a PhD in theatre from the Graduate Center of the City University of New York and is the author of Embodied Texts: Symbolist Playwright-Dancer Collaborations.Barbara Adrian is a professor of theatre arts at Marymount Manhattan College and an associate artist with the off-Broadway theatre company New York Classical Theatre. She also coaches professional actors for television, film, and stage. She is the author of Actor Training the Laban Way: An Integrated Approach to Voice, Speech, and Movement (Allworth Press).
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Product details
Paperback: 376 pages
Publisher: Allworth; Second edition (January 3, 2017)
Language: English
ISBN-10: 9781621535416
ISBN-13: 978-1621535416
ASIN: 162153541X
Product Dimensions:
6 x 1 x 9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#903,699 in Books (See Top 100 in Books)
This book is very good. I had a lecture on staging and movement to give, and found the information within this book to help fill some gaps on things that had slipped through my memory. The breakdown of the book makes it easy to follow and the content is very practical. A great read if you do anything with staging and movement.
Need it for class and it was exactly what I needed. It is really informative and a bit of a read.
so useful for choreographers working with actors. bridges the world between the dance and acting language and info wise
truly wonderful source for students or professional actors; I'm in a graduate acting program and was able to utilize this book for a research project and to supplement what I was already learning in class.
Comprehensive of specialists in the field. Very important work.
all right, nice
I share the sentiment that any serious aspiring actor should get their hands on this book. It is both clear and concise, and tackles the major movement principles currently in play across many types of performance. If one realizes that in order to work and grow as a performer, a strong understanding of both technique and theory from a variety of sources is needed -- this is a 'must-have'. It is required supplemental reading for my movement classes.
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