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Product details
File Size: 8030 KB
Print Length: 256 pages
Simultaneous Device Usage: Up to 4 simultaneous devices, per publisher limits
Publisher: Routledge; 3 edition (August 29, 2013)
Publication Date: August 29, 2013
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00EVVBG2K
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As a beginning Script supervisor, this book was recommended first and foremost by everyone who I spoke to about training. It does cover all the necessary functions of a script supervisor. If you're looking for comprehensive coverage of the job then this book will do it.The limitations are that it is an old book. The last revision occurred 14 years ago when using the internet and computers to script supervise were starting to take hold. Now with that said, I've worked on numerous film set, some of them in the tens of millions of dollars, and most script supervisors still didn't use a computer, so it isn't essential. Commercials are another story and nearly all of them with major accounts that I've worked on (in non-script roles) the scripty used a computer.Another issue I've noticed is that film really isn't used much on many films. Everything is digital so there is much more dead footage because the director decides to keep rolling and take from the top. If you're not on top of stuff, you'll quickly lose track of what's going on. Experience and mentoring count for a lot.Still if you need an introduction then this is the go-to book for script supervising.
Miller's book provides the necessary foundational data one will need before getting into script supervising. Her writing doesn't exactly scintillate with humor like some of the new "guerilla filmmaking" books out there today -- she tends to write like a 1950s schoolteacher, precise and methodical -- but in an admittedly esoteric specialization of the industry where there are only a few books on the topic available, you really don't have a lot of options and you'll need this book. It's NOT sufficient for giving one the complete training needed to actually work as a script supervisor, however. Whoever wrote that you can learn what you need to know "on set" is just asking for trouble -- it's like thinking you can read a book on piloting an airplane and just get behind the yoke and learn "what you need to know" in the air. On a "real" film set (not some zero-budget digicam or student project that no one will ever see) mistakes are EXPENSIVE. Mistakes by a poorly trained s.s. can cost thousands of dollars (not including the cost of therapy when the director and editor go bonkers trying to cut the film from the scripty's notes.) Trying to learn on a "real" set could make it the first and the last real movie set you'll ever work on. I value Miller's book but it must be combined with a good course of study with a real-life teacher who can answer your questions. A course that includes on-the-job training and followup and information on how to research and obtain real jobs doing script supervising is critical -- obviously no book can contain all this. I found Jim Kelly Durgin's course to be helpful in this regard, and there may be others out there too if you look for them. BTW, I don't feel that the 3rd edition of the Miller book is substantially different or better than the 2nd, so if you need to save some money, you'll do just fine with the 2nd edition. I agree that she is old-fashioned (she doesn't deal _at all_ with the new continuity software on the market, a huge omission) but, again, there aren't that many books about this subject readily available.
Although the book is not up to date with current technology (and really who can keep up) the basic core concepts remain.If you are thinking of going to film school or going to become a script supervisor it is a must read--as it spells out the most important part of the job..........there is a tremendous time commitment..........it's a cool job but you will work many long hours and you cannot miss a day.........this info alone is worth the $$.Whether the job requirements scare you or not there is a wealth of info for any field in the industry, because guess what...the script supervisor has to keep track of all of it!As a layman it's a cool insight into what goes on in the film industry--if you want to know and appreciate all that goes into a production pick up this book!
I wannabe a Script Supervisor! This is a great book, highly recommended by someone who works in themovie industry. There is a lot of info to absorb, but the book goes step by step, and I am familiar with the lingo.,and etiquette on the set. I guess being a Stage Manager for 30 years has had some influence! But this book I alsorecommend...get a hold of an actual movie script too. So you can apply what you are reading to an actual movie script!Great Book! Thanks!
This is a great book for anyone looking to become a script supervisor. It should be required reading for all directors. Look at Beyond Continuity: Script Supervision for the Modern Filmmaker as a companion to this book.
This is a great book and very informative.
Great customer service and book is a good read
great book just a little old fashioned
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